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[文学名著类] 美国黑色幽默文学代表作家克特·冯内果(Kurt Vonnegut,1922一)作品集

About Kurt Vonnegut Jr


Kurt Vonnegut was born in Indianapolis in 1922 and studied biochemistry at Cornell University. After serving in Europe during the Second World War, he specialised in anthropology at the University of Chicago before becoming a full-time writer. Author of more than fifteen published novels, Vonnegut is perhaps best described as a social satirist. A writer of almost prophetic vision, his work not only covers a wide variety of genres, including science fiction, but also often mixes genres within the same book. His amazing versatility and imaginative range have earned him international acclaim for his novels, which include 'Player Piano', 'Slaughterhouse-Five', 'Deadeye Dick' and 'Bluebeard'.

Novels
Player Piano (1952)
     aka Utopia 14



The Sirens of Titan (1959)



Cat's Cradle (1960)



Canary in a Cat House (1961)


Mother Night (1961)



God Bless You, Mr. Rosewater (1965)


Slaughterhouse-Five (1969)



Breakfast of Champions (1973)



Slapstick: or Lonesome No More! (1976)



Deadeye Dick (1982)



Jailbird (1983)



Galapagos (1985)


Bluebeard (1987)



Between Time and Timbuktu: Or Prometheus-5 a Space Fantasy (1990)


Hocus Pocus (1990)



Timequake (1997)



Collections
Welcome to the Monkey House (1968)
Bagombo Snuff Box: Uncollected Short Fiction (1976)


Kurt Vonnegut, Jr. Collection (1995)
Armageddon in Retrospect (2008)

Chapbooks
Sun Moon Star (1980)

Plays
Happy Birthday, Wanda June (1970)


Non fiction
Wampeters, Foma and Granfalloons (1974)
Opinions (1975)
Palm Sunday: An Autobiographical Collage (1981)
Fates Worse than Death: An Autobiographical Collage (1983)
God Bless You, Dr. Kevorkian (1999)


Like Shaking Hands with God: A Conversation about Writing (1999)
A Man Without a Country (2005)


Anthologies containing stories by Kurt Vonnegut Jr
Connoisseur's S.F. (1964)
An ABC of Science Fiction (1966)
Best SF 7 (1970)
Again Dangerous Visions Book 1 (1972)
The Golden Age of Science Fiction (1981)
Great Science Fiction of the 20th Century (1987)
The Strange Case of Dr Jekyll and Mr Hyde (1987)
Cybersex (1996)
The Wizards of Odd: Comic Tales of Fantasy (1996)
The Flying Sorcerers (1997)
The Playboy Book of Science Fiction (1998)



Short stories
Unready to Wear (1953)   
Tomorrow and Tomorrow and Tomorrow (1954)   
Harrison Bergeron (1961)  


2 B R 0 2 B (1962)   
Welcome to the Monkey House (1968)   
The Big Space Fuck (1972)   
Adam   
All the King's Horses   
D.P.   
Deer in the Works   
Epicac   
The Euphio Question   
The Foster Portfolio   
Go Back to Your Precious Wife and Son   
The Hyannis Port Story   
The Kid Nobody Could Handle   
The Lie   
Long Walk to Forever  


The Manned Missiles   
Miss Temptation   
More Stately Mansions   
New Dictionary   
Next Door

  
Report on the Barnhouse Effect   
Tom Edison's Shaggy Dog   
Where I Live   
Who Am I This Time?   



Awards
Hugo Best Novel nominee (1960) : The Sirens of Titan
Hugo Best Novel nominee (1964) : Cat's Cradle
Hugo Best Novel nominee (1970) : Slaughterhouse-Five
Nebula Best Novel nominee (1970) : Slaughterhouse-Five
John W Campbell Memorial Award Best Novel nominee (1986) : Galapagos
British Fantasy Society Best Novel nominee (1997) : Timequake
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克特·冯内戈特

克特·冯向戈特(Kurt Vonnegut,Jr,1922一)出
生于美国印第安纳州印第安纳波利斯,在第二次世界大
战中参军,被俘后关入纳粹战俘营,战后获得颁发给受
伤士兵最高的奖状紫心勋章。他战前曾在康纳尔大学读
书,战后又入芝加哥大学,当过芝加哥新闻处驻警察局的
记者和纽约通用电气公司的职员,一九五○年后为专业
作家,一九六五年后又当过中学教员和大学讲师
    冯内戈特写过九部长篇小说、两部短篇小说和六个
剧本(包括一个电视剧),是六十年代崛起的比较有影响
的作家。青少年都爱读他的作品,美国的各大专学校里
还有不少冯向戈特迷,他们都把冯内戈特看作自己的代
言人,说他的作品描写了对人类社会的失望和恐惧,道出
了众人的心声。冯内戈特认为科学技术的发展给人类带
来了不幸,人变成了机器,环境遭到了污染,核武器的发
展更是个大灾难,因而在他的创作里对这些现象进行辛
辣的讽刺。冯内戈特的小说起初被评论者当作一般科幻
小说家对待,未受重视。六十年代“黑色幽默”作家作为
重要流派进入美国文坛,大家才尊他为“黑色幽默”的重
要代表,把他的作品归入正统文学或严肃文学中。从冯
内戈特的例子可以看出,所谓“通俗文学”和“严肃文学”
中间其实并不存在明确的、不可逾越的界线。
太感谢了,非常感谢。
不错~~~~~

Harrison Bergeron

Once read his ' harrison bergeron", compiled in an anthology of science fictioned by an editor of the World of Fantasy in U. S., the story, I really relished, was a perfect handicraft, either in idea or in art.

刚刚死了

Kurt Vonnegut刚刚死了
By CRISTIAN SALAZAR
NEW YORK (AP) - Kurt Vonnegut, the satirical novelist who captured the absurdity of war and questioned the advances of science in darkly humorous works such as "Slaughterhouse-Five" and "Cat's Cradle," died Wednesday. He was 84.

Vonnegut, who often marveled that he had lived so long despite his lifelong smoking habit, had suffered brain injuries after a fall at his Manhattan home weeks ago, said his wife, photographer Jill Krementz.

The author of at least 19 novels, many of them best-sellers, as well as dozens of short stories, essays and plays, Vonnegut relished the role of a social critic. Indianapolis, his hometown, declared 2007 as "The Year of Vonnegut" - an announcement he said left him "thunderstruck."

He lectured regularly, exhorting audiences to think for themselves and delighting in barbed commentary against the institutions he felt were dehumanizing people.

"I will say anything to be funny, often in the most horrible situations," Vonnegut, whose watery, heavy-lidded eyes and unruly hair made him seem to be in existential pain, once told a gathering of psychiatrists.

A self-described religious skeptic and freethinking humanist, Vonnegut used protagonists such as Billy Pilgrim and Eliot Rosewater as transparent vehicles for his points of view. He also filled his novels with satirical commentary and even drawings that were only loosely connected to the plot. In "Slaughterhouse-Five," he drew a headstone with the epitaph: "Everything was beautiful, and nothing hurt."

But much in his life was traumatic, and left him in pain.

Despite his commercial success, Vonnegut battled depression throughout his life, and in 1984, he attempted suicide with pills and alcohol, joking later about how he botched the job.

"I think he was a man who combined a wicked sense of humor and sort of steady moral compass, who was always sort of looking at the big picture of the things that were most important," said Joel Bleifuss, editor of In These Times, a liberal magazine based in Chicago that featured Vonnegut articles.

His mother killed herself just before he left for Germany during World War II, where he was quickly taken prisoner during the Battle of the Bulge. He was being held in Dresden when Allied bombs created a firestorm that killed an estimated tens of thousands of people.

"The firebombing of Dresden explains absolutely nothing about why I write what I write and am what I am," Vonnegut wrote in "Fates Worse Than Death," his 1991 autobiography of sorts.

But he spent 23 years struggling to write about the ordeal, which he survived by huddling with other POW's inside an underground meat locker labeled slaughterhouse-five.

The novel, in which Pvt. Pilgrim is transported from Dresden by time-traveling aliens from the planet Tralfamadore, was published at the height of the Vietnam War, and solidified his reputation as an iconoclast.

"He was sort of like nobody else," said Gore Vidal, who noted that he, Vonnegut and Norman Mailer were among the last writers around who served in World War II.

"He was imaginative; our generation of writers didn't go in for imagination very much. Literary realism was the general style. Those of us who came out of the war in the 1940s made it sort of the official American prose, and it was often a bit on the dull side. Kurt was never dull."

Vonnegut was born on Nov. 11, 1922, in Indianapolis, a "fourth-generation German-American religious skeptic Freethinker," and studied chemistry at Cornell University before joining the Army.

When he returned, he reported for Chicago's City News Bureau, then did public relations for General Electric, a job he loathed. He wrote his first novel, "Player Piano," in 1951, followed by "The Sirens of Titan,""Canary in a Cat House" and "Mother Night," making ends meet by selling Saabs on Cape Cod.

Critics ignored him at first, then denigrated his deliberately bizarre stories and disjointed plots as haphazardly written science fiction. But his novels became cult classics, especially "Cat's Cradle" in 1963, in which scientists create "ice-nine," a crystal that turns water solid and destroys the earth.

Many of his novels were best-sellers. Some also were banned and burned for suspected obscenity. Vonnegut took on censorship as an active member of the PEN writers' aid group and the American Civil Liberties Union. The American Humanist Association, which promotes individual freedom, rational thought and scientific skepticism, made him its honorary president.

His characters tended to be miserable anti-heros with little control over their fate. Vonnegut said the villains in his books were never individuals, but culture, society and history, which he said were making a mess of the planet.

"We probably could have saved ourselves, but we were too damned lazy to try very hard... and too damn cheap," he once suggested carving into a wall on the Grand Canyon, as a message for flying-saucer creatures.

He retired from novel writing in his later years, but continued to publish short articles. He had a best-seller in 2005 with "A Man Without a Country," a collection of his nonfiction work, including jabs at the Bush administration ("upper-crust C-students who know no history or geography" and the uncertain future of the planet.

He called the book's success "a nice glass of champagne at the end of a life."

In recent years, Vonnegut worked as a senior editor and columnist at In These Times. Bleifuss said he had been trying to get Vonnegut to write something more for the magazine, but was unsuccessful.

"He would just say he's too old and that he had nothing more to say. He realized, I think, he was at the end of his life," Bleifuss said.

Vonnegut, who had homes in Manhattan and the Hamptons in New York, adopted his sister's three young children after she died. He also had three children of his own with his first wife, Ann Cox, and later adopted a daughter, Lily, with his second wife, the noted photographer Jill Krementz.

Vonnegut once said that of all the ways to die, he'd prefer to go out in an airplane crash on the peak of Mount Kilimanjaro. He often joked about the difficulties of old age.

"When Hemingway killed himself he put a period at the end of his life; old age is more like a semicolon," Vonnegut told The Associated Press in 2005.

"My father, like Hemingway, was a gun nut and was very unhappy late in life. But he was proud of not committing suicide. And I'll do the same, so as not to set a bad example for my children."

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http://loki-deadman.5d6d.com
呵呵,为什么是year of Vonnegut?

询问

我想要他的 Jailbird 囚鸟,请问可以提供吗?
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

Timequake 时震 简介

  美国著名实力型小说家库尔特・冯内古特在这部一九九七年出版的封笔之作里,以他惯有的科幻小说模式和幽默、讽喻的笔触讲述了一个令人忍俊不禁的故事:二〇〇一年二月十三日下午二点二十七分,宇宙经受了一次自信危机,暂时厌倦了无穷无尽的扩展,决定寻寻乐子调剂一下,于是时空统一体出现了故障,宇宙一下子缩回到十年前的一九九一年二月十七日。就在时间再次向二〇〇一年运行过程中,所有的人或物,都得将十年的经历一一重新体历一遍。于是,作者及其家人,以及科幻小说家基尔戈・特劳特(他的另一个自我),不得不再次经历种种真实或想象、愉快或尴尬的趣闻轶事。

网上已经有简体电子版!

[ 本帖最后由 huijianwuxin 于 2007-11-1 21:59 编辑 ]
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

Breakfast of Champions 冠军早餐 简介

公认的作者的颠峰之作。《冠军早餐》是一部荒诞的反传统小说。经常在冯内古特作品中露面的科幻小说家基尔戈·特劳特与汽车代理商德威恩·胡佛是两部有生命的机器,他们生活在一个叫地球上一个简称美国的国家里。他们都有一些毛病,在不时在书中露面的作者的安排下会面了。读者可以在这一过程中看到作者以诙谐、夸张的语言叙述的一个疯狂世界。作者自绘的插图也是小说的一大特色。

各大书店有售,一般是和囚鸟一起的和版。淘宝,当当网上也有卖!!
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

Jailbird 囚鸟 简介

。《囚鸟》以主人自述形式,描写了一个三次出入监狱的老犯的一生,中间穿插了大萧条、二次大战、朝鲜战争、麦锡主义、水门事件等历史插曲,以黑色幽默手法,嘲讽社会现实,收到特殊的社会效果。
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

转贴

  冯内古特及其小说依然健在
  
  
  (代 译 序)
  
  
  
   在本世纪末出版与回顾60年代走红的冯内古特及其小说,审视他90年代最后的作品,对我们全面公正地评价这位著名的美国小说家是一个最为合适的时机。
  
   从冯内古特的处女作《自动钢琴》(1952年)到他的封笔之作《时间震》(1997),历时四十多年,我们清楚地看到他一直保持着他独有的艺术特色,如果用他也许喜欢的数学公式来概括的话,那便是:科幻+讽喻+幽默。他在大学里攻读的是生物化学,毕业后一直关注当今的科学发展,对此十分熟悉和在行,可以说与他齐名的后现代派作家约翰·巴思、托马斯·品钦、约翰·霍克斯、罗伯特·库弗等人在这方面不能与他比肩。冯内古特有一度甚至被视为一般的科幻小说家而遭评论界冷落。深刻洞察世界和美国社会的冯内古特在他的代表作《五号屠场》(1969)发表以后,才摘掉了他极其讨厌的科幻小说家的帽子。科幻是他用来鞭挞社会丑恶现象的手段,一个得心应手的工具。他嫉恶如仇,对美国社会出现的种种弊病进行深刻的揭露,辛辣的讽刺,有时显得玩世不恭,有时又诙谐成趣,但他骨子里对人类的命运和前途有着浓厚的忧患意识,悲观失望的情绪常常主宰了他。他生性幽默,他的幽默却常常染有阴郁的色彩,这就是批评家们所称的黑色幽默。黑色幽默在《五号屠场》里最典型,如同在约瑟夫·海勒的《第二十二条军规》里一样。通察冯内古特一生的主要小说,如今说他是黑色幽默大师,在评论界不会有什么疑义。如果有的话,也许冯内古特本人仍不会首肯。但历史告诉我们,对一个作家的定论往往并不取决于他(她)本人同意与否。
  
   现在换一个视角,来看看冯古内特在文学史上所占的地位,也许会更全面一些。且看雷蒙德·费德曼(Raymond Federman)在他的《内省小说》(SelfReflectiveFiction, 1988)里是怎样看待冯内古特及其作品的,他说:
  
  
  
   50年代的小说多数把二次大战美化为一场好战争,必要的战争,甚至是一次伟大的冒险,尽管它有许多悲剧的方面。例如:我们会想起詹姆斯·琼斯的《从此地到永远》、欧文·肖的《幼狮》、诺曼·梅勒的《裸者与死者》、赫尔曼·沃克的《凯恩叛乱事件》以及其他许多鼓舞人心的小说。这类小说现在正被滑稽嘲弄的新小说揭去神秘的面纱而遭损。《第二十二条军规》当然是最明显的例子,但托马斯·品钦的《V》(1963)、冯内古特的《黑夜母亲》(1961),特别是他的《五号屠场》(1968)、杰兹·科辛斯基的《彩鸟》(1965)和约翰·巴思的《贾尔斯代人受过的小伙子》(1966)也把美国当代史嘲笑为荒唐的闹剧。
  
   这些小说对历史事件的官方定论提出质疑。在多数情况下,这些小说里的主人公们似乎在寻找他们生活里和行动中正失去的连贯性。这些小说家多数对他们曾经推波助澜过的历史事件与自己的关系所持的立场与观点正加以修正,以他们自己小说里叙述者兼主人公的双重身份进行内省或反思。
  
  
  
   费德曼把冯内古特列入60年代崭露头角的内省小说或反思小说家群,或后现代派小说家群。马尔科姆·布雷德伯里(Malcolm Bradbury)则在他的《新现实主义小说》(NeorealistFiction)一文里称冯内古特为新现实主义小说家,他说:
  
  
  
   像那时(60年代)的文学批评和哲学一样,小说发现自己已露衰败的征兆,背着下滑、词语危机、能指与所指错位感的重负。有一度这似乎表明严肃文学现实主义的终结,虽然整个“后现代”阶段依然存在着现实主义与超小说悖论的矛盾,其矛盾不仅存在于后现代小说和较为传统的形式之间,而且也存在于巴思、冯内古特、品钦、霍克斯、库弗的超文本的本身之中。
  
  
  
   布雷德伯里用新现实主义去界定冯内古特及与其相似的作家,用超小说概括这批作家的小说艺术特色,说白了,就是:他们关注现实社会,但他们审视社会的视角,表现社会生活的手法,均迥异于传统的现实主义作家。新现实主义作家所反映的现实,好比哈哈镜里所反映的现实。你从哈哈镜里所看到的一切,难道不使你感到能指与所指大大地错位吗?所谓后现代小说,其最大的特色也在于此。冯内古特的艺术创新也在于此。综观冯内古特的整个小说创作生涯,从褒义上讲,他保持了鲜明的艺术特色;从贬义上讲,他在90年代艺术探索上无新的进展,而是重复他在60年代建立起来的艺术手法。
  
   不过,即使在90年代的今天,若从内省、新现实主义、黑色幽默等角度来研读他的《五号屠场》、《上帝保佑你,罗斯瓦特先生》和其他小说,我们的读者依然能获得审美愉悦,我们的作家更能从中获得艺术创新的启迪,领悟冯内古特为何能“通过文学改变了整整一代人的生活方式和思维方式”的道理。现在可以断言,冯内古特作为60年代涌现出来的一位后现代派经典作家,一位黑色幽默大师在美国文学史上的地位,而今很少会有人对此质疑了。
  
  
  
  紫 芹
  
  南京南秀村陋斋
  
  1998年6月10日
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

Cat's Cradle 猫的摇篮 简介

  一位对现实生活和人类命运漠不关心的物理学家,在参与制造了原子弹之后,又研制出一种叫做冰-9的水同位素,能够在常温下让水分瞬间凝固。在他死后,他的三个子女分了冰-9,他们同样孤僻而冷漠,其中一人把它献给一位加勒比海岛国的统治者,换得高位。该国的统治者和宗教领袖表面上势不两立,实际上却互相利用,根本目的是要使社会处于巨大的恐怖之中。一次决心意外的飞行表演失事导致宫殿被毁坠海,散落的冰-9造成了世界的毁灭……
   《猫的摇篮》是冯尼古特最受赞誉的小说,有着众多古怪而又令人难忘的角色,在幽默荒诞的故事背后,是对现代人及其疯狂的辛辣批判。冯尼古特让我们看到,当人类的愚蠢与冷漠同他们的技术能力结合起来时,会造成何等可怕的危险。

有网络版,但据说是节选,没细看,好书多,目前在啃在无数电影和美剧中提到的早餐!
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

Jr. Kurt Vonnegut 小库尔特•冯内古特

《泰坦的海妖》(The Sirens Of Titan, 1959)。这是冯内古特还被认为是科幻作家时的早期作品,但可能是他最好的小说——在宇宙中对意义的探求。其他精彩作品:《自动钢琴》(Player Piano, 1952);《猫的摇篮》(Cat's Cradle, 1963);《五号屠场》(Slaughterhouse-Five, 1969)。
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!

55.《五号屠场》(科幻)——Kurt Vonnegut 库尔特•冯内古特

战争的恐怖成为一个人在两种现实——从二战的德雷斯顿到囚禁在外星球Tralfamadore——之间来回转换的体验。
Slaughterhouse Five. Kurt Vonnegut. The horrors of war are examined as one man shifts back and forth between existences,from experiences in WWII Dresden to captivity on the alien planet Tralfamadore.
Love can seriously damage health ! So maggots put on shirts,sell each other sh*t,then I'd know that I'm not lonely !
爱情有害健康,故以空想为衣,相互推销彼此的伪装,以此告诫自己并不孤独!
冯内古特是我最喜欢的科幻小说家之一,他不仅想象力丰富,而且笔锋非常辛辣,可读性也非常强,非常感谢大人的又一精彩合集
楼主实在是太强了 ,万分感谢!
为什么下载的slaughterhouse 5不能解压……
我试过了,可以解压打开啊,楼上再重新下次试试.用winRAR解压

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